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And so just go ahead and read the instructions.Ĭapitalize the first and last words of the title and all principal words. There's no need to type this out manually and build all these margins manually.Īnd then the template has all sorts of awesome instructions for particulars of your paper, okay? I'm going to go ahead and type in a title here, “Of Zombies in American Fiction.” Okay, and I'll remove the subtitle. You have got a half-inch margin here before your header, okay? This is all pre-built for you and ready for you to use, okay? You have got a one-inch margin on the top. You have got a one-inch margin on the right. It's great.įor example, you have got a one-inch margin on the left, which is what the MLA specifies as, should be your left margin. This date is automatically formatted in the MLA style, so there's the day first, the month, and then, the year, okay? That little automation for you happens throughout this template. You can go ahead and you can choose this little Content Control arrow here, and choose the due date. The other thing about Spellcheck is that people are using it, but not being careful in replacing the suggested words with the right word. So if you see a red squiggle, right-click that, and replace it with the correct spelling. Surprisingly, the number one thing was students aren't using Spellcheck. I put my course number in here, English Composition 100.Īctually when I asked a bunch of College Professors what their biggest pet peeves were. And this is just a template, right? You've probably made templates before. I'm going to double-click that, and open it. It's also helpful if your Professor wants you to use that guideline or that handbook, but the MLA is the one we are going to use today. We have the MLA style research paper, okay? I'm going to open that up in just a second. I am going to search for the keyword MLA and then press Enter, and here we go. I am here with the start screen, right, where it gives you all sorts of fun templates to choose from. Other papers might use other handbooks, like the APA or Chicago, but the MLA is probably the most common, and it is easy to adhere to this handbook when you use Microsoft Word. Now, when I say "Research Papers” I mainly mean papers for English comp, Literature, History, Political Science. If you are in college and you are writing research papers, then you are most likely basing your formatting on this, the MLA Handbook for Writers of Research Papers. “The choli was stitched on the day of my wedding and I got it an hour prior,” she recalled.Īt the tender age of 19, Ana was consumed completely by a regal wedding dress that she managed to make on her own. The dupatta was an ode to the jaals found in Mughal architecture. The underlying colour of the bridal was olive green, contrasted with blood red and accentuated by a multitude of colour schemes with one motif at a time. Two shops by the names of Ruby and Sartaj in Lahore, were the only places where you’d find the gold-plated kora dabka,” Ana shared. Afzaals great grand-mothers bridal ensemble was one that harbored gold plating and this technique of employing a 26 number thread work, and we did just that, we found karigars who had the knowledge to recreate such work. “If you’re familiar with minute detailing in South Asian fashion, you’d know that the 26 number single thread, reshum work in kora dabka is the finest, most delicate means of technical detail, the kind that was used in the pre-partition era. 36 panels of cloth were reduced down to 16 as cuts and alignments were made and there was no mannequin involved, the dress was sculpted around the bride. Afzaal also contributed in this process by cutting down cloth panels to create a specific kind of repetitive arch. The bridal took approximately 8 months to be birthed in all its glory after rigorous work with tailors and karigars who were handpicked. The extensive research led them to shortlist all the designs they resonated with and draw their own motifs. The goal was to create an ensemble which is both powerful and meaningful, and they travelled to Karachi, Islamabad and Jaipur, to old book stores and multiple heritage sites to take pictures of motifs. They decided to design something out of their creative imagination, taking inspiration from books on Mughal architecture and Persian art. In 1995, in light of her approaching wedding ceremony, Ana and her husband-to-be Afzaal, were on the hunt for a perfect garment but nothing tickled their fancy. She has narrated the legendary story of her wedding dress to acquaint us with her formidable journey. number 26 hand-work, which is the most intricate form of embroidery, to this day, will become Lajwanti’s unique selling point.Īna Ali, CEO of Lajwanti, is a passionate woman with a thirst for heritage, discovery and travel. Little did she know that her bridal ensemble will give birth to not only a brand, but the technique i.e. It began with one visionary woman, Ana Ali, who single-handedly contributed to revive forgotten techniques and crafts and took the risk of experimenting on her wedding day. Pakistan’s iconic fashion label - Lajwanti - that came into being 25 years ago, is known for its unparalleled craftsmanship, luxe wardrobe, refined lines and cultural silhouettes, but fashion aficionados are not aware of the rich and heart-warming history behind its origin. ġx14 The Light at the End of the Tunnel (1) Yami Yugi and Bakura begin their duel, but Yugi realizes that this isn't Bakura at all! Its an evil spirit of some kind, that has the power of the Shadow Realm. Rex, in anger, sent out the Red Eyes Black Dragon, a card only a bit less powerful then the powerful Blue. Rex sent out a card, and Joey beat it right away with his green and red team. However, Mai is doing very well for herself. Yugi and his friends have given up their search for Mokuba, and they go to find more people to duel. But, "Kaiba" sends out another Blue Eyes White Dragon. Kaiba guesses the wrong hat twice, and Yugi's Dark Magician defeats the Blue Eyes White Dragon. This had to be Kaiba's ghost! But it wasn't. Kaiba? Impossible! How could he have gotten there? The guard holding Mokuba captive claimed that two witnesses saw Kaiba jump to his death. At Pegasus's castle, a small, masked kid is escaping a cell. Its now been six hours since the tournament started. He and Tristan are so hungry that they sniff out some fish cooking on a camp fire. Joey is gloating over his victory, when his stomach begins to groan. When Joey accepts a duel with Mai, the girl from the boat, his cacky attitude vanishes after just the first move because Mai makes it without even looking at what card it was she played!. Attempting to foil Weevil's plans, Yugi finds himself worse off than. Yugi's first Duelist Kingdom duel continues, but despite turning the tables on Weevil things are far from over. Yugi and the crew set sail for Duelist Kingdom, where a large tournament is being held by Pegasus himself.Īs the Duelist Kingdom tournament begins, Maximillion Pegasus explains that only those who can win a total of ten Star Chips will be qualified to enter the finals. Yugi is forced into a mystical duel with the game's creator, Maximillion Pegasus, while Yugi's grandfather agrees to teach Joey to become a decent duelist. Yugi Moto is forced to duel the world champion, Seto Kaiba, after Kaiba defeats Yugi's grandfather and steals his powerful card, the Blue Eyes-White Dragon. 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It has not been a good week for Cid, the Siamese fighting fish that sits in front of my television. Illustrations 1 Six members of the saxophone family: sopranino, soprano, alto, tenor, baritone, bass (Henri Selmer, Paris) 2 A miscellany of saxophone mouthpieces, demonstrating the wide variety available 3 The various components of a saxophone mouthpiece (Henri Selmer, Paris) 4 Images showing the three different saxophone embouchures 5 A curved keypad from a c. Introduction: Saxophone essentials The life and times of Adolphe Sax The saxophone family The saxophone in the nineteenth century Early twentieth-century light and popular music The saxophone in jazz The classical saxophone Modernism and postmodernism The saxophone as symbol and iconĪppendix: Adolphe Sax’s 1846 saxophone patent Notes Bibliography Index List of illustrations, music examples and tables Preface Acknowledgements Abbreviations and conventions 10 9 8 7 6 5 4 3 2 1įor my parents, Dennis and Eunice Cottrell ML975.C67 2013 788.7-dc23 2012028346 A catalogue record for this book is available from the British Library. Office: Europe Office: Set in Columbus MT by IDSUK (DataConnection) Ltd Printed in Great Britain by TJ International Ltd, Padstow, Cornwall Library of Congress Control Number Cottrell, Stephen, 1962– The saxophone / Stephen Cottrell. For information about this and other Yale University Press publications please contact: U.S. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S, Copyright Law and except by reviewers for the public press), without written permission from the publishers. Yale University Press New Haven and LondonĬopyright © 2012 by Stephen Cottrell All rights reserved. The Trumpet John Wallace and Alexander McGrattan The Oboe Geoffrey Burgess and Bruce Haynes |
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